I love drawing with ink, its physicality, and its responsive properties. After learning about Jason Logan’s work I too began making inks out of natural, foraged and found materials. When I encounter pigmented elements like flowers or sin my life I think how could colour be extracted for ink, what potions might be made, what processes will help it last. In experimenting with repetitive and meditative mark making I am trying to keep the ink ‘as good as it is in the field’, thinking through new practices and how material making can be art making. Further, my walking practice includes field drawing with ink and watercolour
